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Nénette, a promiscuous pipe-smoking girl, loves Claude, a gangster who has just pulled off a gainful heist. They both drive to Le Havre from where they plan to set sail for Desirade Island. But in Le Havre, Claude meets Raymond, a shipyard worker and former vet friend of the Indochina War, who offers to accommodate him. Claude accepts but, as a token of his "gratitude", he seduces Raymond's wife. In despair, Raymond, who in the meantime has lost his job, jumps off a cliff. Shadowed by a detective, Nénette becomes his mistress, knowing full well that Claude will be arrested because of her.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

暂无英文版的简介，请添加内容帮助我们完善数据库。

A couple attempts to reconnect over the course of an evening but the night has other plans for them.

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